Tribal Revival: by Erik Davis

The anthropologist Victor Turner famously used the word liminal to describe the passageway between the known and the unknown, the path that takes you to a nomadic territory that lies in-betwixt and in-between. Turner was interested in traditional rites of passage, those tribal ceremonies that guide participants through the process of social transformation—from childhood to adulthood, say, or from novice to shaman. Such rites are important inspirations for today’s neotribalists as well, both consciously and not. For though the festival rarely marks its participants with the obvious cuts and tattoos of a puberty rite, it does hold out the potential for real change, and this potential lies in the liminal: the deeply felt sense that the normal rules are suspended or warped, that a possible world is emerging, and that a new self can rise to greet it.
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At that moment I knew, with almost unbearable conviction, that this exact moment had occurred before, that it echoed back through a thousand years of a thousand dusty stomps, and that all festivals were really just one festival, eternally recurring.
This feeling itself, I would come to learn, is an ancient one, and in it lies the seed of renewal. In his book The Eternal Return, the historian of religion Mircea Eliade described how certain rituals allow mythic time to erupt inside mundane history. In particular, Eliade talked about annual tribal ceremonies that stage the recreation of the cosmos. The idea, which is found throughout primal societies, is that by ritually returning to the chaos at the beginning of things, and then reenacting the emergence of our ordered world, the cosmos itself is renewed. Such ceremonies give us an insight into the deep impulses of the festival, within whose electronic noise and psychedelic chaos stir new forms of living and being together on this planet.
